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American Gangster
Denzel Washington and Russell Crowe Square-Off in
Harlem Heroin-Trade Saga
DVD Review by Kam Williams

At the height of his reign as New York’s heroin kingpin during the
Vietnam War, Frank Lucas was raking in over a million dollars a day on
the streets of the City. This was no mean feat for a former sharecropper
who had arrived from rural North Carolina penniless and with no formal
education.
But on the way to building his own drug empire, he had, for twenty
years, learned the ropes from Harlem’s most notorious mobster, the
legendary Bumpy Johnson. And it wasn’t long after his mentor passed away
in his arms, that the protégé summoned his five younger brothers North
to build an illicit family-run operation.
Known as the Country Boys, Frank restricted membership in his
ruthless gang to relatives and friends from his hometown, hiring only
folks he felt he could trust and thus control. However, what really made
his heroin ring so successful was the fact that he figured out a way to
cut out the middleman entirely by buying his dope directly from poppy
growers in Southeast Asia.
With the help of soldiers stationed both overseas and on domestic
military bases, he smuggled uncut drugs into the country in the caskets
of deceased Vietnam vets. As a consequence, Frank’s “Blue Magic” brand
of smack was twice as pure as any rival’s and sold for half the price.
Before he and his confederates were finally caught and carted off to
prison, Lucas would amass a personal fortune in the hundreds of
millions. While some might admire a man from such humble roots for
having developed the savvy to create an operation with a corporate-like
structure, make no mistake, this was a cold-blooded killer who never
gave a second thought about exploiting the human condition or
assassinating any cop or competitor who stood in his way.
Regardless, since nothing is more meta-typically American than a
graphic gangster saga, it comes as no surprise that the story of Frank
Lucas’ rise and fall would find its way to celluloid. Directed by Ridley
Scott, the movie stars Denzel Washington in the titular role and
matching wits with Russell Crowe as Richie Roberts, the honest
cop-turned-prosecutor who ultimately brought Frank to justice.
An elaborate epoch of Shakespearean proportions, American Gangster
unfolds like a blackface version of The Godfather, exploring an array of
universal themes along the way, ranging from loyalty and betrayal, to
love and hate, to ambition and corruption, to sin and redemption.
Regrettably, despite these classical pretensions, its $100 million
budget and a stellar cast (including Cuba Gooding, Jr., Chiwetel Ejiofor,
Ruby Dee, Josh Brolin, Carla Gugino, Roger Guenveur Smith, Joe Morton,
and rappers T.I., Common and RZA), the picture still somehow adds up to
less than the sum of its parts and is thus likely to leave a vaguely
sour taste in the mouth of the more discerning cinemagoer.
For more than anything, the film feels like an overextended gangsta
rap video, given its periodic graphic displays of gratuitous violence
and its repeated resort to topless women as props carefully-positioned
for purposes of titillation. In general, its female characters are
simplistically-drawn, one-dimensional archetypes, whether mothers,
Madonnas, whores or lawyers.
They’re given short shrift in favor of a macho motif which constantly
contrasts Frank and Richie’s flawed souls to highlight a telling irony.
Yes, Frank may be a creep who ruined countless lives, but at least he’s
a devoted family man and a good provider. On the other hand, Richie may
be an unbribable police officer, but just look at his
relatively-pathetic existence marked by a messy divorce, shallow
relationships and ostracism from colleagues. Who would want to be him?
Why Ridley Scott would have Frank Lucas’ bio-pic revolve around a
contrived juxtaposition equating good with evil is beyond me, especially
when the New York Magazine article (http://nymag.com/nymetro/news/people/features/3649/)
upon which American Gangster is based makes no mention of Richie
Roberts. An irresistibly seductive celebration of a monster which will
undoubtedly deliver the wrong message to many an impressionable young
mind.
 
Rated R for female frontal nudity, sexuality, profanity, ethnic
slurs, gratuitous violence and pervasive drug content
Running time: 157 minutes
Studio: Universal Pictures
The American Gangster Interview with Kam Williams
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